Nick Hornby’s ‘Funny Girl’ (2014) zeroes in on 1960s British TV
Throwback Thursday (Book review): The novel zeroes in on 1960s British TV but has appeal beyond that.
Throwback Thursday (Book review): The novel zeroes in on 1960s British TV but has appeal beyond that.
As he did with his only other “Buffy” novel, “Coyote Moon” (1998), John Vornholt gives a different – and not precisely right, but still intriguing – feel to the Buffyverse with the “Buffy”/“Angel” crossover “Seven […]
With “Buffy” and “Angel” on different networks, massive crossovers weren’t in the works on TV, but “Monster Island” (March 2003), by Christopher Golden and Thomas E. Sniegoski, rectifies that. Not surprisingly, the mixing of the […]
It’s like an all-star writing contest when Yvonne Navarro, Mel Odom, Christopher Golden and Nancy Holder get together to write four novellas for “Tales of the Slayer, Vol. 3” (November 2003). At this point in […]
It has become comfortingly familiar at this point: Douglas Preston and Lincoln Child take us – via their adventurous leads – to some corner of the Earth that still holds mysteries in the 21st century. […]
I was intimidated by this latest “Buffy” novel on my shelf, “Mortal Fear” (September 2003). It’s 479 pages, and it had a bookmark toward the front, so apparently I hadn’t actually finished it back in […]
Nancy Holder’s “Blood and Fog” (May 2003) starts off with a delicious premise for fans of both “Buffy” and history, as Jack the Ripper enters the Slayer’s sphere. But like the 2002 “Angel” novel “Endangered […]
Drawing a better overall crop of writers, “Tales of the Slayer, Vol. 2” (January 2003) makes a huge jump in quality from the first volume. The authors have a blast playing with our expectations of […]
It’d be cool to read an “Angel” book of 12 short stories that each take place in one hour on the longest night of the year. “The Longest Night” (December 2002), unfortunately, isn’t that book. It […]
In the first “Angel” hardcover, “Endangered Species” (October 2002), Nancy Holder and Jeff Mariotte spend the first two acts delivering a decompressed narrative that shows their strong grasp of where the characters are at in […]