‘Rosemary’s Baby’ (1968) is horror by gaslight
Frightening Friday (Movie review): Kicking off a religious-horror boom that hasn’t relented, Polanski’s classic feels timeless, if overlong.
Frightening Friday (Movie review): Kicking off a religious-horror boom that hasn’t relented, Polanski’s classic feels timeless, if overlong.
Fall movie preview: Fans of horror, superheroes and biopics especially have a lot to look forward to this autumn.
Frightening Friday (Movie review): It’s about invisibility, a pair of bumbling detectives, and hilarity. But mostly, it’s about boxing.
Movie review: Writer-director Damian Mc Carthy masterfully crafts a character-driven supernatural whodunit at a refurbished Irish manor.
Movie review: The latest nutso performance by Nicolas Cage is in service of a moody horror-thriller where the story pieces don’t fit.
Movie review: Amid the trappings of just another religious scare flick comes an unflinching anti-religion commentary on abortion.
Movie review: Mia Goth concludes Maxine’s story and Kevin Bacon steals the show as Ti West piles on Eighties moral grime.
Frightening Friday (Movie review): Writer Anthony Horowitz (“Poirot”) teases out an original theme from a too-familiar package.
Movie review: While the mythology doesn’t expand much, this “I Am Legend”-esque prequel serves up sympathetic silent survivors.
Frightening Friday (Movie review): This B-grade slasher answer to “American Psycho” can only ride its single joke so far.