‘Star Trek II: The Wrath of Khan’ (1982) and the Kobayashi Maru
Throwback Thursday (Movie review): Montalban’s performance and a thoughtful piece of military strategizing combine to make this an elite “Trek” entry.
Movies
‘Star Trek II: The Wrath of Khan’ (1982) and the Kobayashi Maru
‘Mission: Impossible – The Final Reckoning’ is almost impossible to follow
Movie review: For viewers not concerned with plot and theme, the film delivers spectacular action … eventually.
‘Lost Weekend’ (1945) a grippingly honest portrayal of alcoholism
Wilder Wednesday (Movie review): Ray Milland gives one of the most sobering (irony intended) portrayals of a drunk in Wilder’s stark masterpiece.
A penny for your thoughts on Death in ‘Final Destination: Bloodlines’
Movie review: Generational trauma goes to the extreme in the saga’s sixth film overall and first in 14 years.
‘A Bay of Blood’ (1971) shows where ‘Friday the 13th’ came from
Frightening Friday (Movie review): The style and practical gore effects remain outstanding, but the plot of this Bava film has never been strong.
‘True Romance’ (1993) a violent fairy-tale love story
Throwback Thursday (Movie review): Even coming out in the wake of “Glengarry Glen Ross,” the depth of acting talent in this Tarantino-Scott riff is incredible.
‘Ace in the Hole’ (1951) plays a winning hand of satire
Wilder Wednesday (Movie review): As a portrayal of a single journalist’s power, it’s not particularly plausible, but the film is entertaining.
Coogler, Jordan team up again for too-safe ‘Sinners’
Movie review: It ain’t no sin to be glad you’re alive, but it’s hard to imagine a worse place to exist than stressfully racist 1931 Mississippi.
‘Stendhal Syndrome’ (1996) is stupid but rather engaging
Frightening Friday (Movie review): Asia Argento plays the least plausible cop ever, but her father Dario’s directorial style remains a high point.
‘French Connection II’ (1975) brings the hard-a** Drug War to France
Throwback Thursday (Movie review): Hackman actually improves on his Oscar-winning role in Frankenheimer’s more harrowing sequel.