‘The Trouble with Harry’ (1955) is that it’s so different
On a Hitchcock kick (Movie review): Still, this light-dark comedy-drama is worth a watch, and it features perhaps the best scenery in a Hitch film.
Movies
‘The Trouble with Harry’ (1955) is that it’s so different
‘The Princess and the Goblin’ (1991) isn’t slick, but it has childlike wonder
Throwback Thursday (Movie review): Music-hating, tender-footed goblins threaten a royal family in this flawed but fascinating animated film.
‘Saboteur’ (1942) again features a man on the run, but it’s not old yet
On a Hitchcock kick (Movie review): In one of his elite early films after coming stateside, Hitch directs a coast-to-coast suspenser.
‘Space Cadet’ launches an underachiever into … space!
Movie review: “Houston has a new problem.” Only Emma Roberts’ party girl is not a problem, she’s a heroine. And a funny one at that.
‘Marnie’ (1964) is pitch-black and gray and red all over
On a Hitchcock kick (Movie review): Late in his career, Hitch delivers an interesting film despite a dearth of likeable characters.
‘The Fall Guy’ freefalls from its high ambitions
Movie review: Big epic action films are fine now and then, but David Leitch’s remake of a 1980s TV series is the pill that leads to an overdose.
‘The Opposite of Sex’ (1998) mulls contrasts, mostly with success
Throwback Thursday (Movie review): Don Roos’ indie film launches Christina Ricci into adult roles and shows Lisa Kudrow doesn’t need “Friends.”
‘Number Seventeen’ (1932) shows Hitch’s skill at action
On a Hitchcock kick (Movie review): But oddly, the director’s sixth sound film is too confusing to rank as a masterful exercise in suspense.
‘A Quiet Place: Day One’ is No. 1 among the trilogy
Movie review: While the mythology doesn’t expand much, this “I Am Legend”-esque prequel serves up sympathetic silent survivors.
‘The Manxman’ (1929) explores all sides of love triangle
On a Hitchcock kick (Movie review): Three emotionally honest and gripping performances make this remake of a 1916 film worth doing.