‘Violent Night’ isn’t always naughty, but it’s definitely bad
Movie review: The latest non-traditional Christmas film stuffs in as many awful characters as possible. It’s as unappealing as you’d assume.
Movies
‘Violent Night’ isn’t always naughty, but it’s definitely bad
‘A Christmas Story Christmas’ won’t be a classic like the original
Movie reviews: Watching “A Christmas Story” and the new sequel back-to-back illustrates the greatness of the first and weaknesses of the latter.
‘Await Further Instructions’ (2018) a solid ‘What’s going on?’ flick
Frightening Friday (Movie review): A young man and his girlfriend find themselves trapped with his dysfunctional family – but that’s not the scariest part.
‘Elf’ (2003) is worth taking off the shelf every Christmas
Throwback Thursday (Movie review): Pure of heart without being schmaltzy, Will Ferrell’s classic is like a spiritual palette cleanser.
‘Everyone Says I Love You’ (1996) celebrates heart’s desires
Woody Wednesday (Movie review): While still recognizably an Allen film, this one focuses on the positive side of love enough to make you want to sing and dance.
‘Rare Exports’ (2010) not naughty enough to be nice
Frightening Friday (Movie review): This Finnish-English language horror combo doesn’t do enough with its low-budget high concept.
Donner, Murray add nutmeg to a classic in ‘Scrooged’ (1988)
Throwback Thursday (Movie review): An unusual but effective blend of dark and light tones, Richard Donner’s film ultimately succeeds because of Bill Murray.
‘Don’t Drink the Water’ adapted poorly (1969) and, well, better (1994)
Woody Wednesday (Movie reviews): Neither version is outstanding, but if you watch one, definitely track down the 1994 movie that comes directly from Allen.
‘Anna and the Apocalypse’ (2017) is fun … until the end
Frightening Friday (Movie review): “High School Musical” meets “The Walking Dead” in this riff that starts off fun but chooses the wrong tone later.
‘Unaccompanied Minors’ (2006) are unaccompanied by laughs
Throwback Thursday (Movie review): The setup of five unsupervised kids in an airport has potential and holiday spirit, but the script forgets the ho-ho-hos.