‘Love and Monsters’ keeps apocalypse upbeat
Movie review: Perhaps the cast and crew got the gloom out of their system in previous projects. Here, the apocalypse isn’t so bad.
Movies
‘Love and Monsters’ keeps apocalypse upbeat
‘Death of ‘Superman Lives’’ (2015) chronicles unmade film
Superhero Saturday (Movie review): We never got Burton’s vision of Superman. Maybe it’s better that we got this compelling documentary.
Mann’s ‘Manhunter’ (1986) sparingly adapts ‘Red Dragon’
Hannibal at 40 (Movie review): Before the hype of “Lambs,” Hannibal snuck onto screens in this appealing slice of 1980s neon noir.
Allen finds neurotic match in ‘Annie Hall’ (1977)
Woody Wednesday (Movie review): It turns out there’s room in the world for both “Star Wars” and Allen’s critical darling “Annie Hall.”
Hughes’ screenwriting career ends with ‘Reach the Rock’ (1998), ‘Just Visiting’ (2001)
Hughes Day Tuesday (Movie reviews): John Hughes’ final two screenwriting credits are a stark contrast — a strong late-career work and a phoned-in remake.
Trio, twist are big things that drive ‘Little Things’
Movie review: The great Denzel performance and the 1990 setting are among the appealing throwback elements of
Hancock’s film.
‘Necessary Evil’ (2013) a jittery DC PR piece
Superhero Saturday (Movie review): This rundown of the “Super-Villains of DC Comics” is too rapidly edited, but it’s not without value.
Hughes’ ‘Baby’s Day Out’ (1994) crazily mixes tones
Hughes Day Tuesday (Movie review): Granted, this movie is fundamentally ridiculous. But amid Hughes’ second decade of films, you could do a lot worse.
‘Dennis the Menace’ (1993) watchable, ‘Flubber’ (1997) awful
Hughes Day Tuesday (Movie reviews): These supposed family films are two exhibits in the case against the second decade of Hughes’ filmmaking career.
Evan Rachel Wood’s ‘Kajillionaire’ is (way) offbeat
Movie review: Evan Rachel Wood and Gina Rodriguez stand out in Miranda July’s appealingly strange film that’s like a dark “Napoleon Dynamite.”