‘4:50 from Paddington’ (1957) a padded Christie whodunit
Sleuthing Sunday (Book review): The reliable whodunit elements are in place, but this Christmas-set tale is unusually cold – not always in a good way.
‘4:50 from Paddington’ (1957) a padded Christie whodunit
‘Black Christmas’ (2019) gets woke for its latest update
Frightening Friday (Movie review): The third version of “Black Christmas” explores themes of its time and boasts a great lead heroine.
‘Take the Money and Run’ (1969) puts Allen on laugh radar
Woody Wednesday (Movie review): “Take the Money and Run” uses jokes Allen would repurpose for later classics. But maybe this one is a classic too.
Craig’s Bond bows out with uneven ‘No Time to Die’
Movie review: “No Time to Die” is a little better than 2015’s “Spectre,” but the best of the Craig Bonds remain in the past.
‘Great Train Robbery’ (1978) a sharp but stiff procedural
Michael Crichton Monday (Movie review): In faithfully adapting his own novel, Crichton makes a film with historical heft but little zest.
‘Double Sin’ (1961) puts Poirot in a Christmas mood
Sleuthing Sunday (Book review): “Double Sin and Other Stories” collects four Poirots, two Marples and a couple supernatural yarns.
McKenzie, Taylor-Joy light up ‘Last Night in Soho’
Movie review: Edgar Wright lusciously mashes up genres and takes us on a wild ride through London’s neon-lit club sector.
First of the ‘Lost’ clones: ‘Invasion’ (2005-06)
One-season wonders (TV review): A stellar cast and a consistent mood of foreboding helps Shaun Cassidy’s series glow in a transitional time for TV.
Grass is always greener in ‘Husbands and Wives’ (1992)
Woody Wednesday (Movie review): Allen blends relationship insights with creative storytelling tricks in the most effective way since “Annie Hall.”
‘Drug of Choice’ (1970) a pulpy ride of pharma paranoia
Michael Crichton Monday (Book review): In his sixth John Lange book, Crichton peppers big ideas about Big Pharma into the pulp template.