Dave’s ‘The Night We Lost Him’ blends romance, mystery
Book club book report: The author draws us in with questions, and smoothly builds believable characters amid the quest for answers.
Dave’s ‘The Night We Lost Him’ blends romance, mystery
‘The Rental’ (2020) plays up creepiness of being a stranger in a strange home
Frightening Friday (Movie review): Worth a rental? Well, it’s definitely worth a streaming viewing, as it gets in on the ground floor of Airbnb horror.
Smartly structured ‘Challengers’ breaks at love
Movie review: The plot is that of a soap opera, but the structure, style and psychological honesty put it on the short list of tennis-movie GOATs.
‘The Holdovers’ (2023) merely a placeholder for Payne
Throwback Thursday (Movie review): The director has delivered many 21st century masterpieces, but this Christmas film falls short of that status.
‘Alfred Hitchcock Presents’ Season 1 (1955-56) brings the macabre into living rooms
On a Hitchcock kick (TV review): As a holiday treat, we look at “Back for Christmas” and Hitchcock’s three other directorial efforts from “AHP’s” first season.
‘I Saw the TV Glow’ a mesmeric metaphysical journey
Movie review: Though a lack of a clear plot makes it sometimes slip from a viewer’s grasp, Schoenbrun’s film is loaded with feelings and ideas.
Detective back by popular demand in ‘Return of Sherlock Holmes’ (1905)
Sleuthing Sunday (Book review): It’s debatable how much Doyle’s heart was in it, but his mind certainly is in this third short-story collection.
‘It’s a Wonderful Knife’ (2023) lacks any spirit at all
Frightening Friday (Movie review): Add this Christmas horror movie to your annual list … of films to completely skip.
‘The Immortalists’ (2018) examines life through lens of death
Book club book report: Come for the hook (a fortune teller predicts death dates) but stay for the four siblings’ journeys through life.
‘Night of the Hunter’ (1955) is influential … but is it good?
Throwback Thursday (Movie review): Ingenious or merely experimental, it can’t be denied that Charles Laughton’s only directorial work made its mark.