‘The Immortalists’ (2018) examines life through lens of death
Book club book report: Come for the hook (a fortune teller predicts death dates) but stay for the four siblings’ journeys through life.
Family Drama
‘The Immortalists’ (2018) examines life through lens of death
‘Night of the Hunter’ (1955) is influential … but is it good?
Throwback Thursday (Movie review): Ingenious or merely experimental, it can’t be denied that Charles Laughton’s only directorial work made its mark.
Fall TV premieres continue with ‘Disclaimer,’ ‘Day of the Jackal,’ ‘Creep Tapes’
First episode impressions (TV reviews): Only the miniseries modernization of “Jackal” is worth following, and even for that, you’ll need patience.
‘Caddo Lake’ an engrossing metaphysical mystery
Movie review: Shyamalan might not be helming strong films anymore, but he’s still producing them, including this evocative missing-girl puzzle in the swamps.
‘My Old Ass’ is low-key one of the year’s best movies
Movie review: Actress Maisy Stella bursts onto the scene in this delicately beautiful piece of filmic poetry that mulls the passing of time.
‘Godzilla x Kong: The New Empire’ is more of the same
Movie review: The Monsterverse follows up its 2021 clash of the titans with … a rematch of the titans. And some other stuff that’s already leaving my brain.
‘Beetlejuice’ (1988) is a matter of taste, and it’s not mine
Throwback Thursday (Movie review): Look, the special effects and Keaton’s performance are good, but what can I say other than “Humor is subjective.”
‘Terrifier’ films introduce Art the Clown, reintroduce practical gore effects
‘Terrifier’ Tuesday (Movie reviews): As “Terrifier 3” hits theaters, here’s a look at Damien Leone’s “All Hallows’ Eve,” “Terrifier” and “Terrifier 2.”
We’re caught in the Shyamalan ‘Trap’ yet again
Movie review: For the second straight year, Night delivers a high-concept horror film that’s undone by poor directorial choices at key moments.
‘Speak No Evil’ imports chillingly awkward horror
Movie review: Strong performances make this remake gripping, even if it doesn’t break new ground.