McKenzie, Taylor-Joy light up ‘Last Night in Soho’
Movie review: Edgar Wright lusciously mashes up genres and takes us on a wild ride through London’s neon-lit club sector.
Mystery
McKenzie, Taylor-Joy light up ‘Last Night in Soho’
First of the ‘Lost’ clones: ‘Invasion’ (2005-06)
One-season wonders (TV review): A stellar cast and a consistent mood of foreboding helps Shaun Cassidy’s series glow in a transitional time for TV.
‘Drug of Choice’ (1970) a pulpy ride of pharma paranoia
Michael Crichton Monday (Book review): In his sixth John Lange book, Crichton peppers big ideas about Big Pharma into the pulp template.
‘Crooked House’ (2017) captures novel’s chilliness
Sleuthing Sunday (Movie review): An excellent cast and luscious art design are the reasons to check out this adaptation of one of Christie’s best books.
Crichton masters the conspiracy thriller in ‘Coma’ (1978)
Michael Crichton Monday (Movie review): “Coma” may not be Crichton’s most original work, but it’s an outstanding example of a ’70s conspiracy thriller.
‘Witness for the Prosecution’ (1957) an elite court drama
Sleuthing Sunday (Movie review): Billy Wilder’s adaptation of Christie’s play/story shows droll comedy and high drama can smoothly blend.
Colorful caricatures drive ‘Venom Business’ (1969)
Michael Crichton Monday (Book review): Crichton-as-Lange breaks out in this slow-developing yet consistently entertaining fifth Lange novel.
‘And Then There Were None’ (1945) dreary but compelling
Sleuthing Sunday (Movie review): This adaptation isn’t as cinematic as it could’ve been, but it provides a template for how to stage this mystery.
‘Sinister 2’ (2015) snuffs out creepy saga’s momentum
Frightening Friday (Movie review): The sequel to the excellent “Sinister” has creative violence and mood but gets ridiculous toward the end.
‘Blade Runner’ makes stylish move to TV with ‘Black Lotus’
First episode impressions (TV review): Through two episodes, the anime assets are in place for a visually and aurally evocative adventure.