‘The Fall Guy’ freefalls from its high ambitions
Movie review: Big epic action films are fine now and then, but David Leitch’s remake of a 1980s TV series is the pill that leads to an overdose.
Romance
‘The Fall Guy’ freefalls from its high ambitions
‘The Opposite of Sex’ (1998) mulls contrasts, mostly with success
Throwback Thursday (Movie review): Don Roos’ indie film launches Christina Ricci into adult roles and shows Lisa Kudrow doesn’t need “Friends.”
‘The Manxman’ (1929) explores all sides of love triangle
On a Hitchcock kick (Movie review): Three emotionally honest and gripping performances make this remake of a 1916 film worth doing.
‘Spaceballs’ (1987) remains a pitch-perfect parody of ‘Star Wars’
Throwback Thursday (Movie review): The makers of “Spaceballs 2” will have their work cut out for them as they follow Mel Brooks’ classic.
Hitchcock takes a swing at boxing in ‘The Ring’ (1927)
On a Hitchcock kick (Movie review): This silent film has some light comedic punch as it chronicles rivals for a title belt and a woman’s affections.
‘The Good Girl’ (2002) illustrates danger of obsession with one person
Throwback Thursday (Movie review): Mike White riffs on “Catcher in the Rye,” but this Holden’s worldview is tragically narrower.
‘Young and Innocent’ (1937) a simpler, sweeter ‘39 Steps’
On a Hitchcock kick (Movie review): Hitchcock tackles a story similar to “The 39 Steps” in a would-be star-making turn for Nova Pilbeam.
‘Godzilla Minus One’ (2023) is Japan’s ‘Independence Day’
Movie review: Takashi Yamazaki’s character-driven prequel to 1954’s “Godzilla” illustrates the changing Japanese culture after WWII.
‘Throw Momma from the Train’ (1987) a decent throwaway comedy
On a Hitchcock kick (Movie review): In one of the more interesting Hitchcock riffs, DeVito and Crystal play out the “Strangers on a Train” premise.
‘John Carter’ (2012) shows the property’s influence on ‘Star Wars’
Throwback Thursday (Movie review): The first lavish big-screen adaptation of Edgar Rice Burroughs’ saga stands as a fun romp in its own right.