DuVall’s ‘Happiest Season’ makes the Yuletide gay
Movie review: Clea DuVall establishes herself as a solid director in this film that mainstreams gay romances in the Christmas comedy genre.
Romance
DuVall’s ‘Happiest Season’ makes the Yuletide gay
‘Empire Records’ (1995) no longer overshadowed by its music
Throwback Thursday (Movie review): Upon its release, “Empire Records” was known for its soundtrack. Now the whole film is starting to be appreciated.
‘X-Men’ finale ‘New Mutants’ taps into old story
Movie review: Fox’s “X-Men” film saga ends with a relative whimper despite “The New Mutants’ ” standout cast and intriguing influences.
Anya Taylor-Joy’s ‘Emma’ is beautiful but uneven
Movie review: “Emma” nails the early 19th century English countryside, costumes, manors and manners. But the interludes are jarring.
‘She’s Having a Baby’ (1988) doesn’t know what it wants
Hughes Day Tuesday (Movie review): Kevin Bacon’s character doesn’t know what he wants out of life, and the film doesn’t know what it wants to be.
‘Barjo’ (1992) wryly adapts ‘Confessions of a Crap Artist’
PKD flashback (Movie review): This French adaptation of Philip K. Dick’s first-published non-SF novel is faithful but decidedly quirky.
‘Nate and Hayes’ (1983) swashbuckles to South Pacific
Hughes Day Tuesday (Movie review): One of the most unusual entries in Hughes’ catalog, this is a decent and gorgeous-looking swashbuckler.
Make this your Flick pick for ‘Election’ (1999) season
Throwback Thursday (Movie review): Payne’s film is a near-perfect portrayal of the fact that God does not favor the best human beings.
Hughes’ ‘Curly Sue’ (1991) is a lovable, if strange, fable
Hughes Day Tuesday (Movie review): “Curly Sue” has no grip on reality, but a sweet father-daughter relationship makes it oddly lovable.
‘Haunting of Bly Manor’ a beautiful, flawed meditation on love
TV review: It’s not as scary or as good as “Haunting of Hill House,” but this follow-up features a lot of beautiful storytelling.