‘Rich and Strange’ (1931) cracks code of talkie filmmaking
On a Hitchcock kick (Movie review): In this Joan Barry-driven romantic drama, Hitchcock realizes the principles of silent filmmaking can still apply.
Movies
‘Rich and Strange’ (1931) cracks code of talkie filmmaking
‘Apartment 7A’ could be called ‘Terry’s Baby’
Movie review: Though not original, there’s a smidgen of appeal both for those familiar and unfamiliar with “Rosemary’s Baby.”
‘Rosemary’s Baby’ (1968) is horror by gaslight
Frightening Friday (Movie review): Kicking off a religious-horror boom that hasn’t relented, Polanski’s classic feels timeless, if overlong.
‘Where the Sidewalk Ends’ (1950) reverses the Hitchcock formula
Throwback Thursday (Movie review): A guilty man is on the run in this engaging but flawed follow-up from the director and stars behind “Laura.”
Rules of ‘The Skin Game’ have changed since 1931
On a Hitchcock kick (Movie review): Still, some Hitchcock fans might enjoy this early sound effort as a time capsule of real-estate machinations.
Fall movie preview 2024: 10 films I wouldn’t mind seeing
Fall movie preview: Fans of horror, superheroes and biopics especially have a lot to look forward to this autumn.
Smart small-cast mystery makes ‘Laura’ (1944) a classic noir
Throwback Thursday (Movie review): Otto Preminger’s film pivots around the femme fatale and keeps us guessing about whodunit despite a small cast.
‘Murder!’ (1930) is an overly talky early Hitchcock talkie
On a Hitchcock kick (Movie review): The eventual Master of Suspense hasn’t yet mastered talkie filmmaking at this point.
In ‘Abbott and Costello Meet the Invisible Man’ (1951), vaudeville pair confronts the unseen
Frightening Friday (Movie review): It’s about invisibility, a pair of bumbling detectives, and hilarity. But mostly, it’s about boxing.
Bone-dry comedy ‘Buffalo ’66’ (1998) an all-time weird romance
Throwback Thursday (Movie review): Vincent Gallo’s standout film is an odd mix of an unlikely situation with likeable characters.