Symphonic score makes ‘Easy Virtue’ (1928) easy to watch
On a Hitchcock kick (Movie review): The story is mildly engaging as it examines a time when the act of filing for divorce could apparently make you famous.
Movies
Symphonic score makes ‘Easy Virtue’ (1928) easy to watch
‘Blow Out’ (1981) blows it at the end, but is still great
Throwback Thursday (Movie review): A likeable Travolta and Allen guide this conspiracy noir through its beats, but De Palma doesn’t stick the landing.
Hitchcock makes sound transition to talkies in ‘Blackmail’ (1929)
On a Hitchcock kick (Movie review): The tech transition feels gimmicky, but three compelling characters and a modern theme keep matters suspenseful.
Ricci tries bizarre British whimsy in ‘Miranda’ (2002)
Throwback Thursday (Movie review): With mild success, a one-and-done screenwriter blends a con drama, an orphan tragedy and romantic flailing.
2024: A horror ‘Oddity’ – Irish film is year’s best so far
Movie review: Writer-director Damian Mc Carthy masterfully crafts a character-driven supernatural whodunit at a refurbished Irish manor.
Horror-thriller ‘Longlegs’ has loads of style, not enough story
Movie review: The latest nutso performance by Nicolas Cage is in service of a moody horror-thriller where the story pieces don’t fit.
‘All the President’s Men’ (1976) grandly caps Pakula’s ‘paranoia trilogy’
The ‘paranoia trilogy’ (Movie review): But it’s not paranoia if it really happened, and that’s the case in one of the all-time best non-fictional accounts of newspaper reporting.
‘Immaculate’ conceives shocking gore horror
Movie review: Amid the trappings of just another religious scare flick comes an unflinching anti-religion commentary on abortion.
‘The Parallax View’ (1974) a timelessly chilling conspiracy noir
The ‘paranoia trilogy’ (Movie review): Though very Seventies in its style, Alan J. Pakula’s gem resonates as a peek into shadowy string-pulling.
‘Klute’ (1971) a grimy classic of Seventies noir
The ‘paranoia trilogy’ (Movie review): Rightly known for launching a new decade of noir style, Alan J. Pakula’s masterpiece is even more impressive as a romance.